الإيقاع والصوت والذاكرة: مبادئ سينمائية تشكل التجربة المعمارية في الابنية الثقافية

محتوى المقالة الرئيسي

Riyam Mushtaq
Hoda A. S. Al-Alwan

الملخص

يتناول هذا البحث المبادئ السينمائية للإيقاع والصوت والذاكرة كأدوات لتشكيل التجربة المعمارية داخل المباني الثقافية. ويهدف إلى تعميق فهم كيفية ترجمة هذه المفاهيم الحسية والزمانية، المستمدة من نظرية الفيلم، إلى استراتيجيات مكانية تعزز تفاعل المستخدم وإدراكه للمكان. ومن خلال تحليل نوعي لدراسات حالة عالمية مختارة، بما في ذلك المتحف اليهودي في برلين، وقاعة فيلهارموني في باريس، ومتحف تيشيما للفنون في اليابان، يدرس البحث كيفية استخدام الإيقاع لتنظيم الحركة، وكيفية توظيف الصوت لتنسيق البيئة المكانية، وكيف تُنشئ الذاكرة روابط عاطفية ضمن السرديات المعمارية. وتكشف النتائج أن دمج هذه المبادئ يُسهم في إثراء الإدراك الحسي وتعميق الاستجابات العاطفية في التجربة المعمارية. كما يُظهر البحث أن مواءمة المنطق السينمائي مع التصميم المعماري يوفر إطاراً مبتكراً متعدد التخصصات لإعادة التفكير في سردية الفضاء، لا سيما في سياق إعادة الاستخدام الوظيفي والاستدامة الثقافية. يُمثل هذا البحث مساهمة جديدة في ربط السينما بالعمارة، مُوظِّفاً الأدوات البصرية والسمعية والزمنية لخلق فضاءات تُلامس الذاكرة وتُنشِّط الحواس، مُعزِّزاً الحضور الإنساني داخلها، ومُقدِّماً تجربة غامرة ذات بُعد ثقافي وإنساني عميق.

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تفاصيل المقالة

القسم

Articles

كيفية الاقتباس

"الإيقاع والصوت والذاكرة: مبادئ سينمائية تشكل التجربة المعمارية في الابنية الثقافية" (2025) مجلة الهندسة, 31(12), ص 142–160. doi:10.31026/j.eng.2025.12.08.

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